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One may argue that vocally this might not be the best fit for Natalie Dessay but everyone who has seen this woman act before must simply be looking forward to being introduced to her Violetta.
One may also argue that a modern production that has obviously been created around the energetic and creative person of Dessay, the actress-singer, might not work as well with park-and-bark-approaches by other singers who will take on this role in the future. It is also to be seen how the production will do without long rehearsal periods where - as experienced in the past with long standing productions at this house - little details are lost and the functionality of a production is proved...or not.
On October 9th we will try to imagine how this new Traviata production might last for another 300 shows.
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